The work is based on a correspondence between a former factory worker, the plant’s administration, and pension authorities. The letters document the former employee's two-year struggle to secure recognition of his right to additional pension benefits and compensations. Reduced to concise fragments, these texts are printed on translucent paper and suspended in the entrance hall of the factory. As visitors move through the space, the fragments align with the silhouette of a house on the hill opposite – presumably the factory director’s residence. In this way, the personal history and bureaucratic struggle of an individual are visually connected to the architecture of power, where the factory building and the director’s house form a single system of observation and control.